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#strings

2 posts2 participants0 posts today
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GuitarPro be like (I added __repr__ methods to the classes...)

```
>>> [m.voices[0].beats for m in s.tracks[0].measures]
<<<
[[Beat(voice=Voice(measure=Measure(track=Track(song=Song(title=, #tracks=1), number=1, name=Spur 1, #measures=5, #strings=6), #voices=2), #beats=8), #notes=1, duration=Duration(value=8, isDotted=False, tuplet=Tuplet(enters=1, times=1)), start=960),
Beat(voice=Voice(measure=Measure(track=Track(song=Song(title=, #tracks=1), number=1, name=Spur 1, #measures=5, #strings=6), #voices=2), #beats=8), #notes=1, duration=Duration(value=8, isDotted=False, tuplet=Tuplet(enters=1, times=1)), start=1440),
Beat(voice=Voice(measure=Measure(track=Track(song=Song(title=, #tracks=1), number=1, name=Spur 1, #measures=5, #strings=6), #voices=2), #beats=8), #notes=1, duration=Duration(value=8, isDotted=False, tuplet=Tuplet(enters=1, times=1)), start=1920),
...

>>> >>> [n for m in s.tracks[0].measures for b in m.voices[0].beats for n in b.notes]
<<<
[Note(value=2, velocity=95, string=5, effect=<guitarpro.models.NoteEffect object at 0x7ffa4ac99510>, durationPercent=1.0, swapAccidentals=False, type=<NoteType.normal: 1>),
Note(value=4, velocity=95, string=4, effect=<guitarpro.models.NoteEffect object at 0x7ffa4ac99750>, durationPercent=1.0, swapAccidentals=False, type=<NoteType.normal: 1>),
Note(value=0, velocity=95, string=3, effect=<guitarpro.models.NoteEffect object at 0x7ffa4ac999d0>, durationPercent=1.0, swapAccidentals=False, type=<NoteType.normal: 1>),
...
```

The legendary String Machine sound of the Waldorf Streichfett is now also available for mobile productions on your iPad and iPhone. There is no compromise in the sound of the Streichfett for iOS, you will get the same fat and rich sound as in the hardware and the plugin version of the Streichfett for your music.

youtube.com/watch?v=2MDoiYYgv7o

“When playing a solo piece, I don’t write notation because it does not need to be communicated to anyone else. I only write down words. Just a list of timestamps and words to describe the sounds I’m going to move through. These are notes that only I would understand. They’re typed out like a setlist. It’s just abbreviated little notes to myself that probably wouldn’t even make sense to anyone else, and that’s kind of the point of this music. Nobody else is going to play these pieces. It’s almost like folk music in that way. ” - Jessica Pavone

‘What Happens Has Become Now’ is out now on Relative Pitch Records

#jessicapavone #viola #solo #soloviola #music #art #postgenre #postgenremusic #postgenremedia #relativepitch #relativepitchrecords #kenbutler #swordviola #anthonybraxton #improvisedmusic #strings

postgenre.org/what-happens-jes

PostGenre - Music beyond category · Slicing through Silence: A Conversation with Jessica Pavone - PostGenrePablo Picasso once noted that “Without great solitude, no serious work is possible.” In music, artists can converse in ways often words alone cannot. But there is also a great power in being alone. This power is known well by Jessica Pavone. Across her two decades of live performances and unaccompanied albums, the violist has

c.im/@hanktank61@nerdjoy.socia , who enjoys listening to British music from the first half of the twentieth century, recently mentioned the composer Dorothy Howell (1898 -1982).

After the 1919 success of her symphonic poem "Lamia", she became known as the "English Richard Strauss".

I don't much care for this kind of dubbing, as it seems unwittingly to belittle its recipient ; has anybody thought of referring to Richard Strauss as the "German Dorothy Howell"?

In addition, this particular example set this Richard Strauss fan up for disappointment. "Lamia" is OK, but it doesn't hold a candle to the German's symphonic poems.

Then I turned to her Nocturne for Muted Strings and was entranced - I hope you will be too!

youtu.be/sb00fjro9ws?si=0ku9a1

c.imC.IM

Jeez in hell! Nowadays they're selling sets of #strings for #guitar and #bass with colored ends and manuals, where to put up which string with which color.

What's wrong with people?! If you can't decide, where to put up which string by looking, touching, feeling or even licking the strings - stay away from stringed instruments!

Flash-back with the #soundtrack I #composed for MACBETH by #shakespeare with the Dir. Geoffrey Dyson at the Pulloff #theatres Lausanne • translations by Antoinette Monod🇨🇭
I composed a #primitive #organic and #tribal #music #score for it with #horns #drums #wood sticks • #live merged with #scary #strings #digital #sounds #glitches in #qlab
A special thought and RIP, for the talented #actor Raoul Teuscher • warm THANKS to the #fantastic 9 actors and #actresses ♥️
More: music-baur.com/fr/