There's no livestream tonight, but my performance from this past week's PRFBBQ is now available. It's all #maxMsp and the sound source is all #feedback. Not *technically* #harshNoise, though it does emerge from noise. Also included: several rehearsals as I learned to play this patch. $0/name-your-price at https://snwv.bandcamp.com/album/prfbbq-july-13-2025
#maxmsp
0 posts0 participants0 posts today
I've defrosted the Moogs for the first 100% #solar powered telling of Duncan Porter's tale of two visits to the Rhone #glacier. Tomorrow at 2000 UTC (7PM UK) at https://party.radiofreefedi.net/ See you in the chat!
sharing every track from my new tape and related pics
b6 PSA: don't eat poisonous flowers kids. max+absynth
https://ingrown.bandcamp.com/track/eating-poison-flowers-again
Today I'm discussing how algorithmic reverbs work using the popular “Freeverb.” I give details on feedforward/feedback delays and allpass filters, and I include a Max/MSP patch to play with.
Hope it's helpful/interesting to someone!
reillyspitzfaden.comReverb Part 1: “Freeverb”
More from 
Reilly Spitzfaden (they/them)
https://ditto.fm/simple-etudes-fun-with-words
you can now listen to Simple Etudes Vol. I Remastered (Self Published)
#music #electronicmusic #spotify #applemusic #digitalart #sounddesign #abletonlive #maxmsp #midi #album #mastering
ditto.fmSimple Etudes: Fun with WordsListen to Simple Etudes: Fun with Words
excerpt from my live performance at cmm festival on jan 11, 2025
excerpt from my live performance at cmm festival on jan 11, 2025
Autechre - Draft 7.30
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An ever marching mission to mangle any machine that crosses their path
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I’ve followed them since the very early days of their career & the progression of sound design, tech used/abused blows me away every time.
This album continues on with that tradition.
Looking forward to seeing them in November
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#autechre #electronic #electronicmusic #glitch #maxmsp #vinyl #vinylcollector #music #vinylcommunity #whatimlisteningto #supportartists #supportindependentbusiness #supportthearts #musiclover #vinylrecords
•
An ever marching mission to mangle any machine that crosses their path
•
I’ve followed them since the very early days of their career & the progression of sound design, tech used/abused blows me away every time.
This album continues on with that tradition.
Looking forward to seeing them in November
•
#autechre #electronic #electronicmusic #glitch #maxmsp #vinyl #vinylcollector #music #vinylcommunity #whatimlisteningto #supportartists #supportindependentbusiness #supportthearts #musiclover #vinylrecords
Here's a composition of mine for 4 mobile phones! The performers use the accelerometer/gyroscope to send messages to Max/MSP and play/control sounds.
There's lots of glitchy noise and retro video game synths:
https://makertube.net/videos/watch/481f806a-819d-4f8c-84ff-c7e3c19a9e5f
#ExperimentalMusic #FediMusic #Musodon #PeerTube #NoiseMusic #MaxMSP #ElectronicMusic #ContemporaryClassical #Percussion #ChamberMusic
Here's a video using audio analysis (via SP-Tools) to control a ciat-lonbarde Clicker:
https://www.youtube.com/watch?v=q_ECFimvxNM
Darker/less-noisy sounds are triggering the lower “kick”-sounding voice, and brighter/noiser sounds are triggering the brighter “snare”-sounding voice.
Then my loudness and brightness (via spectral centroid) are controlling the CV inputs on the Clicker, changing the “pitch” and overall duration of the impulses heard.
Hello, I'm Orion, this is my Fediverse #introduction
I'm a musician from Nova Scotia, principally playing electric bass. Currently in my last year of study for undergrad music.
I am interested in contemporary #composition, #musicproduction, and performance, mainly in the realm of improvised music, new complexity, and jazz. #AbletonLive is my DAW of choice, dabbling in #MaxMSP and other software.
Other hobbies are #photography #ttrpg #linux #fountainpens #mma
Wah-wah pedal + distortion + contact mic + metal box
I made an expression pedal -> MIDI device with an Arduino, and I'm using it to run a "wah-wah" pedal effect in Max/MSP, with a distortion at the end. I'm testing this out for some music I'm writing
I have a new track out today! https://applytriangle.bandcamp.com/track/if-this-reaches-you
It's a glitchy, experimental trio for flute, clarinet, and MIDI keyboard/Max. There are Morse code and other ham radio samples, electric piano, and bowed cardboard box, and it's surprisingly groovy.
The full album has 11 different composers, and you can find it here: https://applytriangle.bandcamp.com/album/oxalis-triangularis-vol-2
REALLY stoked about this release! A lot of work went into this algorithmic music :)
https://evel.bandcamp.com/album/architecture-and-distraction-96khz-24bits
#algorithmic #experimental #maxmsp
I'd be really happy to hear some feedback on that one. Anyone?
Replied in thread
@Artstractos
hey thanks!
daniel & i have been improvising together for many years with self built #maxmsp patches. we complement, alternate & 'catch' each other intuitively.
no need to talk or plan anything.
the first piece is recorded at home into a fostex x-26 multitrack #cassette recorder (thats why it lacks high frequencies). the 2nd was a 4 channel live-impro at paraflows.at festival vienna
Well, my previous instance seems to have died while changing hosts, so let's do the intro thing again.
I'm a #composer and #performer of #experimentalmusic (I play #mandolin, #violin, #uke, #synths, and do interactive computer programming in #MaxMSP, #PureData, #SuperCollider, and #SonicPi). College prof in #MusicTech and #composition, where I get to teach #VideoGameMusic among other things. #Runner, #TTRPG fan, and #coffee aficionado, and I speak both #English and a decent amount of #French.
Continued thread
Using pure #musicSynthesis, you either have to forego all that, and settle for a characteristically sterile sound, or else make up for it by your own painstakingly detailed efforts, which I haven’t had the patience to learn to do. On the other hand, the possibilities of #algorithmic processes (not “AI”) and live interaction (e.g. #MaxMSP) are quite attractive. And using #samples rather than synthesis can preserve the organic complexity of sound that I like—as long as you don’t overcook it.
13/18