#maxMSP patch I've resurrected from 10 years ago and resumed mucking about with
excerpt from my live performance at CMM Festival
#electronicmusic #maxmsp #performance #maxforlive #music #ableton #noise #liveperformance #abletonlive
taking a rhythmic break
karlplus-strong + sah + subtractive + feedback in gen~ + clip distortion
full (16min) video on youtube.
Here's a composition of mine for 4 mobile phones! The performers use the accelerometer/gyroscope to send messages to Max/MSP and play/control sounds.
There's lots of glitchy noise and retro video game synths:
https://makertube.net/videos/watch/481f806a-819d-4f8c-84ff-c7e3c19a9e5f
#ExperimentalMusic #FediMusic #Musodon #PeerTube #NoiseMusic #MaxMSP #ElectronicMusic #ContemporaryClassical #Percussion #ChamberMusic
Here's a video using audio analysis (via SP-Tools) to control a ciat-lonbarde Clicker:
https://www.youtube.com/watch?v=q_ECFimvxNM
Darker/less-noisy sounds are triggering the lower “kick”-sounding voice, and brighter/noiser sounds are triggering the brighter “snare”-sounding voice.
Then my loudness and brightness (via spectral centroid) are controlling the CV inputs on the Clicker, changing the “pitch” and overall duration of the impulses heard.
excerpt from my live performance, back in july 2024.
instrument's signal inputs into one of my maxforlive devices whilst a version of "Strangled Piano" - a track of my recently released album - was being re-processed live.
camera 1: myself
camera 2: fariba norouzi
Hello, I'm Orion, this is my Fediverse #introduction
I'm a musician from Nova Scotia, principally playing electric bass. Currently in my last year of study for undergrad music.
I am interested in contemporary #composition, #musicproduction, and performance, mainly in the realm of improvised music, new complexity, and jazz. #AbletonLive is my DAW of choice, dabbling in #MaxMSP and other software.
Other hobbies are #photography #ttrpg #linux #fountainpens #mma
Hi, I am a sound designer and engineer.
I like programming sounds with #pd, #maxmsp and hardware synths, DAW's, etc. But tools don't matter in the end as you probably know, aesthetics do -- and reverb algorithms. Do you know any?
I spent too much time with #linux and #haskell. I reaaaally don't like commercial ads. After all, is the internet post-modern?
My favorite emoticon is the smiling face with tear.
I toyed around with gabber:
https://susengchannel.bandcamp.com/album/anthem-of-scham
Wah-wah pedal + distortion + contact mic + metal box
I made an expression pedal -> MIDI device with an Arduino, and I'm using it to run a "wah-wah" pedal effect in Max/MSP, with a distortion at the end. I'm testing this out for some music I'm writing
I have a new track out today! https://applytriangle.bandcamp.com/track/if-this-reaches-you
It's a glitchy, experimental trio for flute, clarinet, and MIDI keyboard/Max. There are Morse code and other ham radio samples, electric piano, and bowed cardboard box, and it's surprisingly groovy.
The full album has 11 different composers, and you can find it here: https://applytriangle.bandcamp.com/album/oxalis-triangularis-vol-2
REALLY stoked about this release! A lot of work went into this algorithmic music :)
https://evel.bandcamp.com/album/architecture-and-distraction-96khz-24bits
#algorithmic #experimental #maxmsp
I'd be really happy to hear some feedback on that one. Anyone?
In this early 1970s documentary on MIT's electronic music studio Barry Vercroe demonstrates a GUI for what is probably a version of the MUSIC language: https://www.youtube.com/watch?v=Ge6SxOmX5Xw This is the earliest instance of a visual programming language for music that I have come across so far #computerMusic, #computerMusicHistory, #blockDiagrams, #MaxMSP, #pureData
@Artstractos
hey thanks!
daniel & i have been improvising together for many years with self built #maxmsp patches. we complement, alternate & 'catch' each other intuitively.
no need to talk or plan anything.
the first piece is recorded at home into a fostex x-26 multitrack #cassette recorder (thats why it lacks high frequencies). the 2nd was a 4 channel live-impro at paraflows.at festival vienna
Well, my previous instance seems to have died while changing hosts, so let's do the intro thing again.
I'm a #composer and #performer of #experimentalmusic (I play #mandolin, #violin, #uke, #synths, and do interactive computer programming in #MaxMSP, #PureData, #SuperCollider, and #SonicPi). College prof in #MusicTech and #composition, where I get to teach #VideoGameMusic among other things. #Runner, #TTRPG fan, and #coffee aficionado, and I speak both #English and a decent amount of #French.
Using pure #musicSynthesis, you either have to forego all that, and settle for a characteristically sterile sound, or else make up for it by your own painstakingly detailed efforts, which I haven’t had the patience to learn to do. On the other hand, the possibilities of #algorithmic processes (not “AI”) and live interaction (e.g. #MaxMSP) are quite attractive. And using #samples rather than synthesis can preserve the organic complexity of sound that I like—as long as you don’t overcook it.
13/18
New server, so new intro post. I'm a #composer and #performer of #experimentalmusic (I play #mandolin, #violin, #uke, #synths, and do interactive computer programming in #MaxMSP, #PureData, #SuperCollider, and #SonicPi). College prof in #MusicTech and #composition, where I get to teach #VideoGameMusic among other things. #Runner, #TTRPG fan, and #coffee aficionado, and I speak both #English and a decent amount of #French.