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#longreads

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"Dry-erase ink is not similar to tattoo ink, but it is almost identical to ink from a permanent marker. And if you leave it on a surface for long enough, especially a porous surface, it will remain. The brain is a porous surface. Memory is a porous surface."

A new essay by Aaron Rabinowitz: longreads.com/2025/03/27/tatto

Longreads · TattoosBy Aaron Rabinowitz

Here's what we've got for you in our Weekly Top 5:

* Long COVID camaraderie (Men's Health)
* Breeding terrorists on Telegram @ProPublica / Frontline
* 737 Max coverup (Wired)
* Petrusich profiles Dacus (The New Yorker)
* The Irish pub as export (Smithsonian Magazine)

Learn why our editors have recommended these pieces and find out which story our audience loved most.

longreads.com/2025/03/21/the-t

Longreads · The Top 5 Longreads of the WeekBy Longreads

"I love this notion: that in vast seas and the absence of cues, the space between whales became the point of focus."

In this excerpt from her new essay collection, Christina Rivera explores nature, the flowing relationships between things, and the missing language we need amid a time of change: longreads.com/2025/03/13/langu

Longreads · QuieseedsBy Christina Rivera

"During that last tortuous summer at West Chapple, he found her one day standing in the rain in just a light summer dress repeating the words, 'We should die here. We were born on the farm and we should die here.'"

longreads.com/2025/03/06/madne

Longreads · Madness, Melancholy, or Murder: An Ancient English Farm’s 50-Year-Old Mystery By Andrew Chamings

When the world shifts, so must our words.

In an excerpt of her new book MY OCEANS: ESSAYS OF WATER, WHALES, AND WOMEN, Christina Rivera explores the sea of language, nature, intelligence, and the power of naming the ineffable.

(Publisher: Northwestern University Press)

longreads.com/2025/03/13/langu

Longreads · QuieseedsBy Christina Rivera