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#theory

3 posts3 participants0 posts today

Irvin Yalom asked the members of hundreds (or thousands) of #psychotherapy groups to write down their worst secret fear. He said that these fears could almost always be classified as one of two things:

  • Fear of being unlovable or unable to love fully
  • Fear of not contributing sufficiently to the world around you

He was initially trained as a Freudian1 psychoanalyst, so he called these fears
"Lieben und Arbeiten".

I sometimes think of this as I go through my life: everyone I meet or see, no matter how they present themselves, is probably struggling with (1) a feeling that they are not lovable or they don't know how to love others, and (2) a feeling that they have failed to make a difference in the world around them.

This makes me feel closer to people, even people I don't want to feel close to.

1 Freud was a shitty scientist and his theories were generally very bad. He was, however, an astute observer of human behavior and maybe an okay half-assed philosopher.

Every once in a while the stars align and you get to work on a paper that aligns all your interests. For me it was this side project:

Speculative Ecologies: Anxieties, Hierarchies, and Anarchies in the Natures of Speculative Fiction

🧵 (1/4)

literarygeographies.net/index.

www.literarygeographies.netSpeculative Ecologies: Anxieties, Hierarchies, and Anarchies in the Natures of Speculative Fiction | Literary Geographies
Replied in thread

@Lazarou @RealJournalism

Perhaps I agree with you that 20 votes per person (actually, 20 votes per SIM card, credit card, virtual device, etc.) is a poor voting system.

What voting system should be used?

This is not particularly encouraging:
en.wikipedia.org/wiki/Arrow%27

The endless debate will continue. We'll soon see what EBU chooses to implement.

en.wikipedia.orgArrow's impossibility theorem - Wikipedia

Just came across 'My Life as an Artificial Creative Intelligence — an interview with Mark Amerika', founding publisher of electronic book review, by Will Luers. It offers a compelling exploration of the speculative persona of the artist as ACI. Part media theory, part autofiction, it frames AI as 'the prosthesis "I am"', probing the creative limits and possibilities of writing, publishing and programming through digital poetics, glitch aesthetics and remix culture.

If you’re curious about where Creativity (capital C) comes from, or how machine learning intersects with experimental, speculative, and theoretical fictions across the human–nonhuman spectrum, this one’s for you. Published by electronic book review, an Open Humanities Press journal — you can read it here:

electronicbookreview.com/essay

#theory
#philosophy
#literature
#publishing
#art
#ai
#ArtificialIntelligence
#performances

electronic book reviewMy Life as an Artificial Creative Intelligence: an interview with Mark AmerikaWL: To get things going, I want to ask you about the ACI [Artificial Creative Intelligence] project’s evolution, a project you discuss throughout your new book My Life as an Artificial Creative Intelligence. Specifically, how does the ACI project relate to your trajectory as an artist and writer? Wh