[18:09] Ukraine will not recognise old US aid as loans - Zelensky
Ukrainian President Volodymyr Zelensky has said that Ukraine would not recognise previously approved US military aid as loans that need repaying, as he confirmed that Kyiv had received a new draft minerals deal from the United States.
https://www.rte.ie/news/ukraine/2025/0328/1504645-ukraine-russia-conflict/
#Ukrainian #VolodymyrZelensky #Ukraine #US #Kyiv #theUnitedStates
RTÉ · Ukraine will not recognise old US aid as loans - Zelensky
![The image depicts a group of men standing in line against the exterior wall of what appears to be an official or institutional building. They are dressed primarily in suits and hats, suggesting that this photo may have been taken during a time when such attire was common for working-class individuals or as part of cultural norms at the start of the 20th century. The men's expressions convey anticipation and patience, possibly waiting to collect their semi-monthly relief checks which indicates they are likely recipients of some form of government aid.
The photograph is in black and white with a monochromatic tone that emphasizes textures such as worn clothing, rough concrete walls, and the stark contrast between light and shadow on the men's figures. This adds to the historical atmosphere of the image. The title "Waiting for the semi-monthly relief checks at Calipatria, California" suggests this photo was taken during a time when unemployment benefits were administered through direct payments or checks, possibly linked to economic difficulties.
Dorothea Lange (1895–1965) is known as an influential photographer who documented significant historical events in the United States. Her works are often associated with capturing moments of social and political relevance during times like The Great Depression. This photograph serves not only as a visual record but also as commentary on economic hardship, societal resilience, and [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/235/563/690/622/782/original/53de9bfc147dc6bb.jpeg "The image depicts a group of men standing in line against the exterior wall of what appears to be an official or institutional building. They are dressed primarily in suits and hats, suggesting that this photo may have been taken during a time when such attire was common for working-class individuals or as part of cultural norms at the start of the 20th century. The men's expressions convey anticipation and patience, possibly waiting to collect their semi-monthly relief checks which indicates they are likely recipients of some form of government aid.
The photograph is in black and white with a monochromatic tone that emphasizes textures such as worn clothing, rough concrete walls, and the stark contrast between light and shadow on the men's figures. This adds to the historical atmosphere of the image. The title \"Waiting for the semi-monthly relief checks at Calipatria, California\" suggests this photo was taken during a time when unemployment benefits were administered through direct payments or checks, possibly linked to economic difficulties.
Dorothea Lange (1895–1965) is known as an influential photographer who documented significant historical events in the United States. Her works are often associated with capturing moments of social and political relevance during times like The Great Depression. This photograph serves not only as a visual record but also as commentary on economic hardship, societal resilience, and [...]")
![The image depicts a black-and-white photograph showing six small, simple structures with pitched roofs aligned in two rows of three. They appear to be temporary housing units for workers or evacuees during the mid-20th century. These are likely part of a larger camp designed by the United States government as depicted from Dorothea Lange's work on farm security administration (FSA). The structures sit on an expanse of barren land with what seems like a dirt field in front, and there is sparse vegetation around them.
In the background, we can see some utility poles and power lines stretching into the distance. There are no visible people or animals within this particular shot. The overall scene has a stark, desolate feel to it, emphasizing isolation and hardship during what appears to be an era of significant migration and displacement in America's agricultural history.
The photograph captures historical context regarding migratory workers' living conditions as part of the Farm Security Administration efforts aimed at documenting rural life in the United States. It is crucial not only for its artistic value but also serves a social purpose by shedding light on the challenges faced during that period, particularly for those displaced or working in agriculture.
The photograph carries an emotional weight and provides insight into how people lived under such circumstances through Dorothea Lange's lens as part of her famous [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/210/975/858/961/610/original/626b51c120f18008.jpeg "The image depicts a black-and-white photograph showing six small, simple structures with pitched roofs aligned in two rows of three. They appear to be temporary housing units for workers or evacuees during the mid-20th century. These are likely part of a larger camp designed by the United States government as depicted from Dorothea Lange's work on farm security administration (FSA). The structures sit on an expanse of barren land with what seems like a dirt field in front, and there is sparse vegetation around them.
In the background, we can see some utility poles and power lines stretching into the distance. There are no visible people or animals within this particular shot. The overall scene has a stark, desolate feel to it, emphasizing isolation and hardship during what appears to be an era of significant migration and displacement in America's agricultural history.
The photograph captures historical context regarding migratory workers' living conditions as part of the Farm Security Administration efforts aimed at documenting rural life in the United States. It is crucial not only for its artistic value but also serves a social purpose by shedding light on the challenges faced during that period, particularly for those displaced or working in agriculture.
The photograph carries an emotional weight and provides insight into how people lived under such circumstances through Dorothea Lange's lens as part of her famous [...]")
![The image is a black and white photograph depicting six individuals, presumably workers or laborers, standing outside of what appears to be an agricultural structure. Four men are dressed in aprons, with one wearing overalls as well, suggesting their involvement in manual work related to farming or food production.
They seem engaged in discussing something important or receiving information from a man holding papers and gesturing towards another individual, possibly conveying instructions or sharing details about the dairy operation. The central figure appears attentive and focused on what is being communicated.
The setting includes a large barn-like structure with visible metal roofing, indicative of rural farmland architecture common to mid-20th-century America. There are hints of vegetation in the background but no other significant structures nearby.
In terms of historical context provided by the caption, this photograph relates to The Self-Help Cooperative Dairy near Santa Ana, California, which was taken over by the Resettlement Administration as part of a program under President Franklin D. Roosevelt's New Deal initiatives during the Great Depression era in America (1930s). This initiative aimed at improving living conditions and providing support for those affected by economic hardship.
The photograph is credited to photographer Margaret Bourke-White, who documented various aspects of life across different re [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/945/185/468/416/518/original/00995ca8c39d54e6.jpeg "The image is a black and white photograph depicting six individuals, presumably workers or laborers, standing outside of what appears to be an agricultural structure. Four men are dressed in aprons, with one wearing overalls as well, suggesting their involvement in manual work related to farming or food production.
They seem engaged in discussing something important or receiving information from a man holding papers and gesturing towards another individual, possibly conveying instructions or sharing details about the dairy operation. The central figure appears attentive and focused on what is being communicated.
The setting includes a large barn-like structure with visible metal roofing, indicative of rural farmland architecture common to mid-20th-century America. There are hints of vegetation in the background but no other significant structures nearby.
In terms of historical context provided by the caption, this photograph relates to The Self-Help Cooperative Dairy near Santa Ana, California, which was taken over by the Resettlement Administration as part of a program under President Franklin D. Roosevelt's New Deal initiatives during the Great Depression era in America (1930s). This initiative aimed at improving living conditions and providing support for those affected by economic hardship.
The photograph is credited to photographer Margaret Bourke-White, who documented various aspects of life across different re [...]")
