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Ricardo Harvin<p>"What would you do?"</p><p>You're literally doing it now.</p><p>I just watched two <a href="https://mstdn.social/tags/YouTube" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>YouTube</span></a> <a href="https://mstdn.social/tags/video" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>video</span></a> <a href="https://mstdn.social/tags/essays" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>essays</span></a> on the <a href="https://mstdn.social/tags/musical" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musical</span></a> <a href="https://mstdn.social/tags/Cabaret" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cabaret</span></a>, its origin, and various incarnations, focused on the 1972 <a href="https://mstdn.social/tags/film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>film</span></a> version <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/BobFosse" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BobFosse</span></a>, starring <a href="https://mstdn.social/tags/LizaMinnelli" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LizaMinnelli</span></a>.</p><p>Like the final moments of the <a href="https://mstdn.social/tags/WeimarRepublic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WeimarRepublic</span></a> in <a href="https://mstdn.social/tags/Germany" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Germany</span></a>, purported <a href="https://mstdn.social/tags/democracies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>democracies</span></a> around the world are facing our end of days and the rise of <a href="https://mstdn.social/tags/fascism" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fascism</span></a> and <a href="https://mstdn.social/tags/authoritarianism" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>authoritarianism</span></a>.</p><p>So, what are you doing?</p><p><a href="https://mstdn.social/tags/link" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>link</span></a>: <a href="https://youtu.be/cPpwXUZNbNs?si=eal-DzooROAGitef" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">youtu.be/cPpwXUZNbNs?si=eal-Dz</span><span class="invisible">ooROAGitef</span></a></p><p><a href="https://youtu.be/8xrGp3tzKgs?si=8Cs2D_qCQzNOAu8H" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">youtu.be/8xrGp3tzKgs?si=8Cs2D_</span><span class="invisible">qCQzNOAu8H</span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/France" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>France</span></a>, 2021, <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/BrunoDumont" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BrunoDumont</span></a> is good-looking, with shots throughout meant to remind us of that it's a <a href="https://mstdn.social/tags/film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>film</span></a>, not reality (my favorite has France walking "through" the car to exit).</p><p>Unfortunately, it ends with her seeming to unite with her abuser (rapist?), and introduces threads that have no coherent relevance, they're just hints that ping pong us through her..enlightenment?..disillusion?</p><p><a href="https://mstdn.social/tags/sub" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>sub</span></a>: <a href="https://www.criterionchannel.com/videos/france" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">criterionchannel.com/videos/fr</span><span class="invisible">ance</span></a></p><p>6.5 of 10 ⭐️</p><p>From: <span class="h-card" translate="no"><a href="https://mstdn.social/@ricardoharvin" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>ricardoharvin</span></a></span><br><a href="https://mstdn.social/@ricardoharvin/112638760904217756" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">mstdn.social/@ricardoharvin/11</span><span class="invisible">2638760904217756</span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/Titane" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Titane</span></a>, the 2021 <a href="https://mstdn.social/tags/Cannes" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cannes</span></a> <a href="https://mstdn.social/tags/PalmDOr" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PalmDOr</span></a> winning <a href="https://mstdn.social/tags/film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>film</span></a> <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/JuliaDucournau" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JuliaDucournau</span></a> is a <a href="https://mstdn.social/tags/movie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movie</span></a> I just watched.</p><p>I have no idea why it was so highly lauded, though it had great potential and some very interesting moments throughout.</p><p>However, none of it worked as a connected story for me.</p><p>Overall, it felt like a patchwork of ideas and themes, none fully explored, and could have easily been two or three different movies or segments: A <a href="https://mstdn.social/tags/BodyHorror" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BodyHorror</span></a> / <a href="https://mstdn.social/tags/SerialKiller" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SerialKiller</span></a> / <a href="https://mstdn.social/tags/GenderIdentiy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenderIdentiy</span></a> <a href="https://mstdn.social/tags/anthology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>anthology</span></a>, maybe.</p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/TheFalling" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheFalling</span></a>, 2014, written and <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/CarolMorley" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CarolMorley</span></a> turned out to be much darker and <a href="https://mstdn.social/tags/erotic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>erotic</span></a> <a href="https://mstdn.social/tags/film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>film</span></a> in ways I wasn't expecting.</p><p><a href="https://mstdn.social/tags/MaisieWilliams" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MaisieWilliams</span></a> (<a href="https://mstdn.social/tags/AryaStark" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AryaStark</span></a>, <a href="https://mstdn.social/tags/GoT" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GoT</span></a>) does an excellent job holding together a sometimes meandering plot, and <a href="https://mstdn.social/tags/FlorencePugh" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FlorencePugh</span></a> gives a strong performance in a limited role.</p><p>For something a bit different, though uneven, I recommend this <a href="https://mstdn.social/tags/movie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movie</span></a>.</p><p>Playing now for free on <a href="https://mstdn.social/tags/Kanopy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kanopy</span></a> in the <a href="https://mstdn.social/tags/US" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>US</span></a> with a free and valid <a href="https://mstdn.social/tags/library" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>library</span></a> card from a subscribed library system.</p><p>3.25 of 5 ⭐️</p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/AnatomyOfAFall" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AnatomyOfAFall</span></a>, 2023, <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/JustineTrier" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JustineTrier</span></a>, is really good, a <a href="https://mstdn.social/tags/MurderMystery" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MurderMystery</span></a>/#CourtroomDrama that lets the viewer decide which version of events to believe, all while never being just the binary choice it presents itself to be on the surface, or its highly <a href="https://mstdn.social/tags/feminist" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>feminist</span></a> subtext.</p><p>It deserves the awards and praise it's received, and I love the way it shows, and never tells.</p><p>And <a href="https://mstdn.social/tags/SandraH%C3%BCller" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SandraHüller</span></a> (also starring in <a href="https://mstdn.social/tags/ZoneOfInterest" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ZoneOfInterest</span></a>, which is on my list to watch) is phenomenal.</p><p><a href="https://mstdn.social/tags/Hulu" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Hulu</span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/CriterionCollection" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CriterionCollection</span></a> upcoming releases include three <a href="https://mstdn.social/tags/films" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>films</span></a> I highly recommend, <a href="https://mstdn.social/tags/BlueVelvet" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BlueVelvet</span></a> (<a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/DavidLynch" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DavidLynch</span></a>), <a href="https://mstdn.social/tags/Bound" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Bound</span></a> (<a href="https://mstdn.social/tags/directed" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>directed</span></a> by <a href="https://mstdn.social/tags/LanaWachowski" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LanaWachowski</span></a> and <a href="https://mstdn.social/tags/LillyWachowski" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LillyWachowski</span></a>), and <a href="https://mstdn.social/tags/PicnicAtHangingRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PicnicAtHangingRock</span></a>, the creepiest non-<a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>horror</span></a> <a href="https://mstdn.social/tags/movie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>movie</span></a> I've ever seen (directed by <a href="https://mstdn.social/tags/PeterWeir" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PeterWeir</span></a>).</p><p><a href="https://mstdn.social/tags/Dogfight" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Dogfight</span></a>, <a href="https://mstdn.social/tags/ToDieFor" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ToDieFor</span></a>, and <a href="https://mstdn.social/tags/LynchOz" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LynchOz</span></a> are also worth considering.</p><p>I gotta save up for the next several 50% sales.</p><p><a href="https://mstdn.social/tags/link" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>link</span></a>: <a href="https://www.criterion.com/shop/browse?popular=coming-soon" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">criterion.com/shop/browse?popu</span><span class="invisible">lar=coming-soon</span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/QueensOfPain" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>QueensOfPain</span></a>, a 2020 <a href="https://mstdn.social/tags/documentary" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>documentary</span></a> on <a href="https://mstdn.social/tags/Hulu" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Hulu</span></a> <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/CassieHay" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CassieHay</span></a> and <a href="https://mstdn.social/tags/AmyWinston" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AmyWinston</span></a> is a good look at <a href="https://mstdn.social/tags/RollerDerby" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>RollerDerby</span></a> in <a href="https://mstdn.social/tags/NewYork" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NewYork</span></a> focusing on three players from one team.</p><p>I used to enjoy watching the sport on tv back in the 60's, but have never watched it live, even though I lived walking distance to the <a href="https://mstdn.social/tags/DC" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DC</span></a> Armory for a bit where local matches were (are?) held in the <a href="https://mstdn.social/tags/US" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>US</span></a> capital. Partly because it's flat track now, and I grew up with banked tracks as standard.</p><p>And no, I don't understand scoring.</p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/TheCreator" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheCreator</span></a>, 2023, <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/GarethEdwards" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GarethEdwards</span></a> is wasted story potential with terrible dialogue and tired cliches of a super human hero (ironically) and default <a href="https://mstdn.social/tags/ToxicMasculinity" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ToxicMasculinity</span></a> of a man who thoroughly betrays a woman yet still believes throughout that he has a right to her undeserved love and unearned forgiveness, and is ultimately granted that by the white male writer and director.</p><p>Absolute laziness from start to end, except for the excellent visuals and effects.</p><p>"C-", 1.9 ⭐️, at best. <a href="https://mstdn.social/tags/Hulu" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Hulu</span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/Men" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Men</span></a>, 2022, <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/AlexGarland" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AlexGarland</span></a> (of the far superior <a href="https://mstdn.social/tags/ExMachina" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ExMachina</span></a>) and starring <a href="https://mstdn.social/tags/JessieBuckley" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JessieBuckley</span></a> is a nightmare <a href="https://mstdn.social/tags/BodyHorror" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BodyHorror</span></a> that is beautifully filmed before devolving into a literal bloody mess, visually and in story.</p><p>The critique of the <a href="https://mstdn.social/tags/MaleGaze" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MaleGaze</span></a> and the toxicity of the entitled "good guy" in Ex Machina is what Garland seems to have wanted to expand upon here, but it's lost in its own elaborate trickery, imo, meant to portray Harper's unwarranted guilt and trauma caused by James' abuse.</p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/AfterYang" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AfterYang</span></a> is a quiet, beautiful, slow <a href="https://mstdn.social/tags/meditation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>meditation</span></a> on <a href="https://mstdn.social/tags/humanity" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>humanity</span></a> filtered through <a href="https://mstdn.social/tags/technology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>technology</span></a>.</p><p>From 2021, presented by the excellent <a href="https://mstdn.social/tags/A24" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>A24</span></a>, <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/Kogonada" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kogonada</span></a> and starring <a href="https://mstdn.social/tags/ColinFarrel" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ColinFarrel</span></a>, <a href="https://mstdn.social/tags/JodieTurnerSmith" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JodieTurnerSmith</span></a>, and the young, very talented <a href="https://mstdn.social/tags/MaleaEmmaTjandrawidjaja" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MaleaEmmaTjandrawidjaja</span></a>, it's a movie one must sink into and let flow.</p><p>Technology isn't more important than the natural (e.g. garden boxes in autonomous transportation).</p><p>It will linger, as memories do.</p><p>On <a href="https://mstdn.social/tags/Kanopy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Kanopy</span></a>, et. al</p><p><a href="https://mstdn.social/tags/link" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>link</span></a>: <a href="https://www.kanopy.com/en/product/13615080" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">kanopy.com/en/product/13615080</span><span class="invisible"></span></a></p>
Ricardo Harvin<p><a href="https://mstdn.social/tags/TheThiefCollector" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheThiefCollector</span></a>, a 2022 <a href="https://mstdn.social/tags/Filmrise" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Filmrise</span></a> <a href="https://mstdn.social/tags/documentary" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>documentary</span></a> <a href="https://mstdn.social/tags/DirectedBy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectedBy</span></a> <a href="https://mstdn.social/tags/AllisonOtto" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AllisonOtto</span></a> is an interesting story about a seemingly average, white middle class couple who may have spent decades as prolific <a href="https://mstdn.social/tags/ArtThieves" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtThieves</span></a>, especially in the theft of <a href="https://mstdn.social/tags/deKooning" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deKooning</span></a>'s <a href="https://mstdn.social/tags/WomanOchre" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WomanOchre</span></a> from the <a href="https://mstdn.social/tags/UniversityOfArizona" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>UniversityOfArizona</span></a> <a href="https://mstdn.social/tags/MuseumOfArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MuseumOfArt</span></a> in 1985.</p><p>Mostly a discussion of the eccentricities of their lives that support the theory, it ends with darkness similar to another thief's, Jack "<a href="https://mstdn.social/tags/MurphTheSurf" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MurphTheSurf</span></a>" Murphy</p><p><a href="https://mstdn.social/tags/link" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>link</span></a>: <a href="https://filmrise.com/film/the-thief-collector" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">filmrise.com/film/the-thief-co</span><span class="invisible">llector</span></a></p>

#Stoker, 2013, #DirectedBy #ParkChanwook (#Oldboy) and starring #MiaWasikowska, #MatthewGoode, and #NicoleKidman, is an interesting twist on the #horror / #thriller genre and, to paraphrase #Madisynn, "it's not what you thiiiink".

Some of the style choices don't work for me, especially at the start of the #movie, but others are very well done and add to the mystery and eerie tone.

The #eroticism is palpable and often veers into inappropriate, but that's key to the plot.

3.8 of 5 stars. #Hulu

#FearOfRain, 2021, #DirectedBy #CastilleLandon, on #Hulu, does a good job of making us feel as unsure and unsettled as the protagonist, but I don't know how well it portrays #schizophrenia.

It tries to be a #psychological #thriller with #horror, which I don't think is an accurate depiction of the experience of the #disease.

If it is, at least somewhat, then I would rate it as ok/3 stars, even with its clunky and formulaic ending otherwise, don't bother, despite some good scenes and twists.

#TheDriftlessArea, 2015, #DirectedBy #ZacharySluser, starring #AntonYelchin and #ZooeyDeschanel is a #twee #supernatural / #TimeTwisting #noir (not a #NeoNoir, as described).

It moves a bit too slowly and dialogue and delivery have too much affect, but the premise, acting, and production are good.

#JohnHawkes is radically different in this than #YouAndMeAndEveryoneWeKnow, and #CiaránHinds, #AliaShawkat, #FrankLangella and #AubreyPlaza do well in small but important roles.

Free on #BraviaCore.

#KubrickByKubrick, 2020, a #docmentary #DirectedBy #GregoryMonro is interesting because a lot of it is from the relatively few interviews of #Kubrick.

There are lots of good quotes by him on society and the nature of humanity that are, unfortunately, still entirely relevant right now.

"...people do not [recognize] the dark side of themselves, and tend to externalize evil. People do only [consider] themselves as good and everybody else as either weak or evil." – #StanleyKubrick

#MissMeadows, 2014, #DirectedBy (and written) #KarenLeighHopkins and starring #KatieHolmes, is the absolute darkest bit of #twee I've ever seen.

The cloying sweetness is cut with layers of rancid truths mostly implied, never stated, but without doubt as to what they are.

Weird and sad, it's a much better #vigilante #movie than the typical #macho bullshit, like #DirtyHarry, because it's original and human, though just as unbelievable.

#RokuChannel

#link: therokuchannel.roku.com/

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"Once upon a time, it was the #Americans who were #terrorists to the #British. They've forgotten their #history already."

"The Americans love to brag about how their #government represents the people, so they should accept that every American shares equal responsibility for their government's crimes. No one is innocent."

If it's true for one people, it's true for all.

#Traitor, 2008, #DirectedBy #JeffreyNachmanoff, starring #DonCheadle and #GuyPierce on the #Kanopy #library #streaming service