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#Fassbinder

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Ingrid Hoeben Ⓥ 🇧🇪

#review #rwf #fassbinder #cinema #germancinema #petravonkant #seventies #letterboxd

My ★★★★★ review of The Bitter Tears of Petra von Kant (1972) on @letterboxd: boxd.it/9tqPEV

boxd.itA ★★★★★ review of The Bitter Tears of Petra von Kant (1972)Oh-oh, yes I’m the great pretender
Pretending that I’m doing well
My need is such I pretend too much
I’m lonely but no one can tell
Oh-oh, yes I’m the great pretender
Adrift in a world of my own
I’ve played the game but to my real shame
You’ve left me to grieve all alone
Yes I’m the great pretender
Just laughin’ and gay like a clown
I seem to be what I’m not, you see
I’m wearing my heart like a crown
Pretending that you’re still around
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Ingrid Hoeben Ⓥ 🇧🇪

My review of World on a wire on Letterboxd.

#film #fassbinder #letterboxd #cinema #germany #weltamdraht #rwf

boxd.it/8xy3mN

boxd.itA ★★★★★ review of World on a Wire (1973)🎬Welt am Draht is gefundenes Fressen for movie lovers of all kinds.  The ‘story’ is very relevant nowadays. ‘Is this world real?’ It’s a fascinating mystery so bloody well executed by the master RWF. 📽️Shot in 16 mm, it was made for West German television and originally aired in 1973 in ARD as a two-part miniseries. It was based on the 1964 novel Simulacron-3 by Daniel F. Galouye.  🎤🎶During the Siskins house party scene early in the movie, Ingrid Caven sings the song "The Boys in the Back Room". "The instrumental "Albatross" by Fleetwood Mac plays during the credits of
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Ingrid Hoeben Ⓥ 🇧🇪

Die Bitteren Tränen der Petra von Kant
RWF

Fassbinder schreef het scenario voor Die Bittere Tränen ook als theaterstuk en dat is merkbaar: de film speelt zich af in één kamer. Het brengt een beklemmende sfeer teweeg die speelt met de idee van een gesloten gevangenis. Alleen is de vraag wie de gevangene is en wie de bewaker. Wie is echt vrij? Een intens claustrofobisch drama over de complexiteit en manipulatieve aard van seksuele aantrekkingskracht.

#rwf#fassbinder#movieposter
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Tucker Teague

"Solaris is one of the best movies I've ever seen."

A screengrab from Rainer Werner Fassbinder's 1979 film, THE THIRD GENERATION. In this scene two characters discuss a Russian film. One can't remember the title and thinks it was weird. The other figures out it's Andrei Tarkovsky's 1972 film, SOLARIS.

The actress Hanna Schygulla on the left and actor Eddie Constantine on the right in Rainer Werner Fassbinder's THE THIRD GENERATION.
#film#cinema#movies
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Tucker Teague

Rainer Werner #Fassbinder wrote the entire #screenplay for "The Bitter Tears of Petra von Kant" (1972) during a 12-hour flight from Berlin to Los Angeles. The #film was completely filmed within ten days. Both writing and filming does in incredibly short time frames. The film is considered a masterpiece of the New German Cinema.

youtu.be/wV398LNTigU?si=LKJr1R

The brilliant Michael Ballhaus was the cinematographer on the film. (His filmography is staggering: en.wikipedia.org/wiki/Michael_)

YouTubeMichael Ballhaus on Shooting The Bitter Tears of Petra von KantBy criterioncollection
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