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#femalecosmeticcoalitions

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Continued thread

Here is Mary 'giving'/Jesus 'stealing' the #blood power. She was the woman free of the 'Curse of Eve', all the reproductive labours of womankind. In other words, she's bloodless.

For #African hunter-gatherers, that means she would not use cosmetics for beauty, joy ceremony and ornament, the colour 🔴 of ochre or Pterocarpus paint which is used in their rituals. She does not belong to #FemaleCosmeticCoalitions (she's allied to her son vs the women with the curse). These are the secret ritual mechanics of patriarchy.

This is an interesting idea: that xtian #patriarchal control of #women especially attacked and belittled or shamed use of #cosmetics. This was particularly in the heritage of the #puritans but here the author argues it developed much earlier.

The very word 'cosmetic' in English connotes superficial, shallow, trivial. Yet the classical Greek etymology connects to a notion of beauty underpinning a morally ordered universe -- cosmos, cosmology. This is a concept frequently found in #Indigenous thinking.

Since our #FemaleCosmeticCoalitions theory argues for women's #ritual use of #bodypaint as fundamental to human #symbolic #culture, we think this suppression of body art is a likely pathway to patriarchy. Where women have power and freedom, they use cosmetics and adornment -- especially in solidarity -- to express that.

theguardian.com/education/2024

The Guardian · Medieval Christian misogyny shapes how we judge women today, says scholarBy Donna Ferguson

Still time to sign in on Eventbrite for tonight! 👇👇👇
Oct 24, 18:30 London time with
Radical Anthropologists
Camilla Power and Ian Watts

'On the Human Revolution'

They are speaking LIVE @UCLanthropology (Daryll Forde Seminar Room on the 2nd Floor)
and on ZOOM. Everybody welcome!

Sign into Eventbrite for ZOOM ID (sent out on the morning/pm of the date)
eventbrite.co.uk/e/radical-ant

#humanevolution #culturalevolution #symbolicculture #pigments #ritual #anthropology #humanorigins #femalecosmeticcoalitions #Africa #MiddleStoneAge
Image shows the cover of 'The Human Revolution', edited by the late Paul Mellars and Chris Stringer in 1989.

Continued thread

Most importantly, the authors "view...habitual ochre use as a proxy for the emergence of regular collective rituals". While ochre definitely can have functional uses, ritualised, visual display use appears primary: MSA ochres reflect costly and repetitive behaviours, including long-distance procurement and intentional colour selection.

"The overall dominance of grinding use-wear on archaeological specimens from the MSA indicates the primary production of powder". The authors note red residues produced on shell beads, when these appear later in sites like #Blombos, #Taforalt and now #Bizmoune. This likely results from bodypaint on skin or deliberate colouring.

In sum, they "view a large proportion of ochre finds from the MSA as the material remains of past ritual activity". This builds cogently on the position the #FemaleCosmeticCoalitions team took three decades ago that the ochre marked #ritual activity which was critical to the emergence of #symbolic cognition.

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Image: from the Moroccan MSA at Bizmoune dating for large blocks of ochre accompanying ochre-residued shell beads are now back to 140 thousand years ago.

Continued thread

The authors, led by Dapschauskas and including @sommer "try to answer the question of when and where habitual ochre use emerged and what significance this had for the development of ritual behavior during the Middle Stone Age" with a meta-analysis of 100 African sites.

They directly address the model developed by myself #CamillaPower with #ChrisKnight and world-leading pigment specialist #IanWatts -- the #FemaleCosmeticCoalitions (FCC) hypothesis. We made predictions three decades ago. How do they hold up?
en.m.wikipedia.org/wiki/Female

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Image: map of Africa showing over 100 Middle Stone Age sites, some with lithics, some ochre, some both, stretching the length of the continent south, east and north.