shakedown.social is one of the many independent Mastodon servers you can use to participate in the fediverse.
A community for live music fans with roots in the jam scene. Shakedown Social is run by a team of volunteers (led by @clifff and @sethadam1) and funded by donations.

Administered by:

Server stats:

288
active users

#digitalhumanities

7 posts6 participants0 posts today
IHC<p>📖 As part of the <a href="https://masto.pt/tags/REWIND" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>REWIND</span></a> project, Alba Comino published ‘Intertwining Narrative and Technology: Reinterpreting European Cultural Heritage through the Voices of Latin American Women Writers’ in the International Journal of Humanities and Arts Computing, where she describes the <a href="https://masto.pt/tags/methodology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>methodology</span></a> used in the project.</p><p>🔓 In <a href="https://masto.pt/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenAccess</span></a>: <a href="https://www.euppublishing.com/doi/full/10.3366/ijhac.2024.0333" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">euppublishing.com/doi/full/10.</span><span class="invisible">3366/ijhac.2024.0333</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/litstudies" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>litstudies</span></a></span> </p><p><a href="https://masto.pt/tags/Histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Histodons</span></a> <a href="https://masto.pt/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://masto.pt/tags/LitStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LitStudies</span></a> <a href="https://masto.pt/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://masto.pt/tags/Ontology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ontology</span></a> <a href="https://masto.pt/tags/DeepData" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DeepData</span></a> <a href="https://masto.pt/tags/SentimentAnalysis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SentimentAnalysis</span></a> <a href="https://masto.pt/tags/WomenWriters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WomenWriters</span></a></p>
Tim Sherratt<p>Nope, now it's not so easy because the gatekeepers at the NLA want you to seek permission before downloading the content of newspaper articles via the API. The <a href="https://hcommons.social/tags/Trove" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Trove</span></a> Newspaper and Gazette Harvester is widely used and cited in research literature, but I can't use or maintain it because my API keys were cancelled. The NLA's policy is damaging research.</p><p>Via Michael, Hendrik, and Valentin Werner. 2024. “Digital Press Archives for Media and Communication History Research: From ‘reading rooms’ to Virtual Research Environments”. Studies in Communication Sciences 24 (3): 285–301. <a href="https://doi.org/10.24434/j.scoms.2024.03.4050" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.24434/j.scoms.2024.</span><span class="invisible">03.4050</span></a>. <a href="https://hcommons.social/tags/GLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GLAM</span></a> <a href="https://hcommons.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a></p>
Asterisk<p>Es nervt wirklich, wie schnell auch und gerade in der <a href="https://fedihum.org/tags/Library" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Library</span></a>- und <a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> bubble von <a href="https://fedihum.org/tags/OpenSource" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenSource</span></a> und <a href="https://fedihum.org/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> die Rede ist, dann aber Llama verwendet wird. Es nervt auch, wenn dann von Transparenz die Rede ist, weil der API Call auf GitHub liegt, aber der Prozess aufseiten des Models nicht transparent ist. Es nervt am meisten, wenn dieser Code dann auch noch KI-generiert ist und offensichtlich ist, dass generierende Personen ihn aber nicht verstehen. <a href="https://fedihum.org/tags/FuryFriday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FuryFriday</span></a></p>
Daniel Bellingradt<p>Say hi. This is an example of how human labor will be remembered when all books are digitized and we all work with digital copies only. And maybe, hand on heart, this hand was intentionally raised to greet us from the past. <a href="https://historians.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://historians.social/tags/bookhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bookhistory</span></a> <a href="https://historians.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://historians.social/tags/digitalhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhistory</span></a> <a href="https://historians.social/tags/digitization" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitization</span></a></p>
Tim Sherratt<p>I'm hoping that research agencies, scholarly societies, and universities will pick up on the broader implications of the NLA's policy for HASS research: <a href="https://updates.timsherratt.org/2025/03/02/trove-api-users-beware-the.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">updates.timsherratt.org/2025/0</span><span class="invisible">3/02/trove-api-users-beware-the.html</span></a> <a href="https://hcommons.social/tags/GLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GLAM</span></a> <a href="https://hcommons.social/tags/openGLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openGLAM</span></a> <a href="https://hcommons.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://hcommons.social/tags/digitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalHumanities</span></a></p>
Tim Sherratt<p>It's been four weeks now since the National Library of Australia suspended my API keys, forcing all my work on <a href="https://hcommons.social/tags/Trove" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Trove</span></a> to stop: <a href="https://updates.timsherratt.org/2025/02/24/years-of-work-on-trove.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">updates.timsherratt.org/2025/0</span><span class="invisible">2/24/years-of-work-on-trove.html</span></a> <a href="https://hcommons.social/tags/GLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GLAM</span></a> <a href="https://hcommons.social/tags/openGLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openGLAM</span></a> <a href="https://hcommons.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://hcommons.social/tags/digitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalHumanities</span></a></p>
Digital History Berlin<p>Today at the German Historical Institute in Washington, D.C., the 7th conference for <a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> and <a href="https://fedihum.org/tags/DigitalHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHistory</span></a> on "Real-time history: Engaging with Living Archives and Temporal Multiplicities" started, in part sponsored by <span class="h-card" translate="no"><a href="https://nfdi.social/@NFDI4Memory" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>NFDI4Memory</span></a></span> and in cooperation with our chair.</p><p><a href="https://www.ghi-dc.org/events/event/date/real-time-history-engaging-with-living-archives-and-temporal-multiplicities" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">ghi-dc.org/events/event/date/r</span><span class="invisible">eal-time-history-engaging-with-living-archives-and-temporal-multiplicities</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> <span class="h-card" translate="no"><a href="https://fedihum.org/@VHD" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>VHD</span></a></span><br><a href="https://fedihum.org/tags/DH" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DH</span></a><br>1/3</p>
Calishat<p><a href="https://researchbuzz.masto.host/tags/world" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>world</span></a> <a href="https://researchbuzz.masto.host/tags/photography" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>photography</span></a> <a href="https://researchbuzz.masto.host/tags/DigitizingProjects" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitizingProjects</span></a> <a href="https://researchbuzz.masto.host/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> </p><p>'Stowed away in the late 19th century Saint-Cyr fort are over 43,000 slide sheets, totaling approximately 650,000 color slides, dating from the 1950s to the early 2000s. Many of these images have remained — until now — unseen to the public eye, and untouched for over 20 years.'</p><p><a href="https://www.magnumphotos.com/arts-culture/magnum-presents-a-world-in-color/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">magnumphotos.com/arts-culture/</span><span class="invisible">magnum-presents-a-world-in-color/</span></a></p>
Asterisk<p>Ist jetzt nicht wirklich neu der Artikel, aber da ich gerade erst wieder mit Präsis konfrontiert worden bin, die mit <a href="https://fedihum.org/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> pics illustriert worden sind, wäre das hier dann doch immer noch relevante Lektüre für alle, die mit dem Gedanken spielen, <a href="https://fedihum.org/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> Bilder zu Illustrationszwecken zu nutzen. Gerade in <a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> oder generell in den GW...</p><p><a href="https://newsocialist.org.uk/transmissions/ai-the-new-aesthetics-of-fascism/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">newsocialist.org.uk/transmissi</span><span class="invisible">ons/ai-the-new-aesthetics-of-fascism/</span></a></p>
Calishat<p><a href="https://researchbuzz.masto.host/tags/Google" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Google</span></a> <a href="https://researchbuzz.masto.host/tags/clothing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>clothing</span></a> <a href="https://researchbuzz.masto.host/tags/fashion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fashion</span></a> <a href="https://researchbuzz.masto.host/tags/royalty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>royalty</span></a> <a href="https://researchbuzz.masto.host/tags/UK" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>UK</span></a> <a href="https://researchbuzz.masto.host/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> </p><p>"Among [Historic Royal Palaces'] most remarkable collections is the Royal Ceremonial Dress Collection (RCDC), an extraordinary archive of fashion, history and craftsmanship. Now, in collaboration with Google Arts &amp; Culture, we are bringing this collection to a global audience, offering an unprecedented look at over 500 years of royal style."</p><p><a href="https://blog.google/outreach-initiatives/arts-culture/unveiling-royal-style-a-digital-journey-through-five-centuries-of-fashion/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">blog.google/outreach-initiativ</span><span class="invisible">es/arts-culture/unveiling-royal-style-a-digital-journey-through-five-centuries-of-fashion/</span></a></p>
Henrik Schönemann<p>Calling <a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> as well as all academics working with data models:<br>Do you know of other ontologies at the whim of the US administration?<br><a href="https://neuromatch.social/@jonny/114157343433852950" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">neuromatch.social/@jonny/11415</span><span class="invisible">7343433852950</span></a></p><p><a href="https://fedihum.org/tags/Ontology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ontology</span></a> <a href="https://fedihum.org/tags/SemanticWeb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SemanticWeb</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/academicchatter" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>academicchatter</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/academicsunite" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>academicsunite</span></a></span></p>
Rainer Simon<p>Voting is open for the Digital Humanities Awards 2024! 🏆 Lots of great projects to explore—including liiive.now! Cast your vote for your favorite DH tools, datasets, and resources. Voting runs until April 4! 👉 <a href="http://dhawards.org/dhawards2024/voting/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">dhawards.org/dhawards2024/voti</span><span class="invisible">ng/</span></a> <a href="https://vis.social/tags/DHAwards" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DHAwards</span></a> <a href="https://vis.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a></p>
Mareike König<p>Jetzt bewerben bis zum 15.3.2025 für die Französich-Deutsche Summer School “Open(ing) Science? <a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> in Area Studies” des Leipzig Research Centre Global Dynamics (ReCentGlobe) und dem französischem Konsortium DISTAM (DIgital STudies Africa, Asia, Middle East). Die Summer School findet vom 07. bis 11.07.25 in <a href="https://fedihum.org/tags/Leipzig" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Leipzig</span></a> statt. <a href="https://recentglobe.uni-leipzig.de/en/zentrum/infrastruktur/digital-lab/summer-school-digital-area-histories" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">recentglobe.uni-leipzig.de/en/</span><span class="invisible">zentrum/infrastruktur/digital-lab/summer-school-digital-area-histories</span></a> Ich bin auch dabei mit einem Workshop zum Publizieren :) <a href="https://fedihum.org/tags/OpenScience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenScience</span></a> <a href="https://fedihum.org/tags/DH" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DH</span></a></p>
IHC<p>🎓 We've opened our email inbox to welcome your expressions of interest in applying for the FCT's Call for PhD Studentships!</p><p>📅 Proposals must be submitted by 23 March</p><p>🆕 Those selected will have access to an application preparation session</p><p>👉 <a href="https://ihc.fcsh.unl.pt/en/bid-fct-2025/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">ihc.fcsh.unl.pt/en/bid-fct-202</span><span class="invisible">5/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/envhum" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>envhum</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/envhist" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>envhist</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/litstudies" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>litstudies</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/museum" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>museum</span></a></span> </p><p><a href="https://masto.pt/tags/Histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Histodons</span></a> <a href="https://masto.pt/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://masto.pt/tags/PhdStudentship" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PhdStudentship</span></a> <a href="https://masto.pt/tags/Ci%C3%AAnciaPT" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CiênciaPT</span></a> <a href="https://masto.pt/tags/BolsasDeDoutoramento" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BolsasDeDoutoramento</span></a> <a href="https://masto.pt/tags/Humanidades" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Humanidades</span></a> <a href="https://masto.pt/tags/HumanidadesDigitais" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HumanidadesDigitais</span></a> <a href="https://masto.pt/tags/ModernHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ModernHistory</span></a> <a href="https://masto.pt/tags/ContemporaryHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ContemporaryHistory</span></a> <a href="https://masto.pt/tags/Hist%C3%B3riaContempor%C3%A2nea" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HistóriaContemporânea</span></a></p>
GWDG<p>Die GWDG hat ab sofort drei Stellen ausgeschrieben:</p><p>1. Linux-Administrator*in für High-Performance-Computing-Systeme (m/w/d) <br>➡️ <a href="https://bewerbermanagement.net/1grh9" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">bewerbermanagement.net/1grh9</span><span class="invisible"></span></a> </p><p>2. Wissenschaftliche*r Mitarbeiter*in für Digital Humanities (m/w/d) <br>➡️ <a href="https://bewerbermanagement.net/gdg5w" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">bewerbermanagement.net/gdg5w</span><span class="invisible"></span></a></p><p>3. Webentwickler*in (Frontend/Backend) (m/w/d) <br>➡️ <a href="https://bewerbermanagement.net/99eah" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">bewerbermanagement.net/99eah</span><span class="invisible"></span></a></p><p><a href="https://academiccloud.social/tags/jobs" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jobs</span></a> <a href="https://academiccloud.social/tags/sciencejobs" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sciencejobs</span></a> <a href="https://academiccloud.social/tags/webdev" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>webdev</span></a> <a href="https://academiccloud.social/tags/researchassistant" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>researchassistant</span></a> <a href="https://academiccloud.social/tags/research" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>research</span></a> <a href="https://academiccloud.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://academiccloud.social/tags/linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linux</span></a> <a href="https://academiccloud.social/tags/linuxadmin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linuxadmin</span></a> <a href="https://academiccloud.social/tags/hpc" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>hpc</span></a> <a href="https://academiccloud.social/tags/gwdg" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>gwdg</span></a></p>
Rainer Simon<p>Wait... is that a new button in <a href="https://vis.social/tags/IMMARKUS" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IMMARKUS</span></a>? 🪄 Yes! Click the magic wand for automatic object selection, powered by <a href="https://vis.social/tags/SegmentAnything" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SegmentAnything</span></a>. Just point, click, and let AI do the work! Try it out and let us know what you think. <a href="https://vis.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://vis.social/tags/IIIF" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IIIF</span></a></p>
Holle Meding<p>📰 From Aachen to Zwickau: Mapping Correspondence in the Wiener Zeitung<br>At <a href="https://mastodon.social/tags/Dhd2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Dhd2025</span></a> Nina C. Rastinger &amp; Claudia Resch explore semi-automated methods for identifying correspondence locations in historical press research.</p><p>📜 Key insights:<br>📌 Transkribus enables tailored transcription with Field Model Training<br>📌 21,793 headlines &amp; 129,326 tokens analyzed<br>📌 Uneven network density: Strong news flow from London (enemy) &amp; Paris (ally)</p><p><a href="https://mastodon.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://mastodon.social/tags/HistoricalNews" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HistoricalNews</span></a> <a href="https://mastodon.social/tags/TextMining" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TextMining</span></a></p>
Andreas Wagner<p>Interessant dazu dürfte Forschung wie die von Anthropic sein, die ich schon die ganze Zeit nicht schaffe endlich zu lesen: <a href="https://www.anthropic.com/research/mapping-mind-language-model" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">anthropic.com/research/mapping</span><span class="invisible">-mind-language-model</span></a></p><p><a href="https://hcommons.social/tags/DHd2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DHd2025</span></a> <a href="https://hcommons.social/tags/LLM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LLM</span></a> <a href="https://hcommons.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> </p><p>4/4</p>
Andreas Wagner<p>... und ich weiß nicht, ob es da reicht, behavioristisch die Regelmäßigkeit und Konformität im Verhalten zu beobachten. Wenn wir *Gewissheit* haben wollen, und/oder wenn wir *verstehen* wollen, was passiert, müssen wir die Begründungs- bzw. Kausalitätsverhältnisse anschauen. Da bin ich wohl eher Aristoteliker (Idealist?)...</p><p><a href="https://hcommons.social/tags/DHd2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DHd2025</span></a> <a href="https://hcommons.social/tags/LLM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LLM</span></a> <a href="https://hcommons.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a></p><p>3/4</p>
Andreas Wagner<p>Wenn ich mal anthropomorphisieren darf: so ein Automat fragt sich nicht nur "Ich habe jetzt 'muss man sehen, dass' geschrieben, was könnte als nächstes kommen?", sondern er "berücksichtigt" dabei Faktoren wie "jetzt muss ein Autorenname kommen" oder "ich bin gerade in dem Teil des Textes, in dem ein Einwand dargelegt wird". Diese Prozesse/Berechnungen verstehen wir immer noch zu wenig.</p><p><a href="https://hcommons.social/tags/DHd2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DHd2025</span></a> <a href="https://hcommons.social/tags/LLM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LLM</span></a> <a href="https://hcommons.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a></p><p>2/4</p>