Shakedown Social

50+ Music"From This Moment On" is a song by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a>. It was released as the fourth single from her third studio album, <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The song was written by Twain, with additional production and songwriting by <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a>. Twain has performed "<a href="https://mastodon.online/tags/FromThisMomentOn" class="mention hashtag" rel="nofollow noopener" target="_blank">#FromThisMomentOn</a>" on every one of her tours. Both a duet with country singer <a href="https://mastodon.online/tags/BryanWhite" class="mention hashtag" rel="nofollow noopener" target="_blank">#BryanWhite</a> as well as a solo version were released. <a href="https://www.youtube.com/watch?v=HC-QIzoIW9U" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=HC-QIzoIW9U</a>

50+ Music"You're Still the One" is a song recorded by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a> for her third studio album <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The song was inspired by criticism of Twain's relationship with her then-husband and <a href="https://mastodon.online/tags/producer" class="mention hashtag" rel="nofollow noopener" target="_blank">#producer</a> <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a> and depicts her celebrating their marriage despite the difficulties and differences between the two. Written by Twain and Lange, it is a <a href="https://mastodon.online/tags/piano" class="mention hashtag" rel="nofollow noopener" target="_blank">#piano</a>-driven <a href="https://mastodon.online/tags/countryPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#countryPop</a> ballad incorporating <a href="https://mastodon.online/tags/guitar" class="mention hashtag" rel="nofollow noopener" target="_blank">#guitar</a>, <a href="https://mastodon.online/tags/organ" class="mention hashtag" rel="nofollow noopener" target="_blank">#organ</a>, and <a href="https://mastodon.online/tags/mandolin" class="mention hashtag" rel="nofollow noopener" target="_blank">#mandolin</a>. <a href="https://www.youtube.com/watch?v=QiHMkiPGlv4" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=QiHMkiPGlv4</a>

50+ Music"That Don't Impress Me Much" is a song co-written and recorded by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a>. It was released in December 1998 as the sixth country single, and seventh single overall, from her third studio album, <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). It was third to pop and fourth to international markets. The song was written by <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a> and Twain, and was originally released to North American country radio stations in late 1998. <a href="https://www.youtube.com/watch?v=mqFLXayD6e8" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=mqFLXayD6e8</a>

50+ Music"You're Still the One" is a song recorded by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a> for her third studio album <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The song was inspired by criticism of Twain's relationship with her then-husband and <a href="https://mastodon.online/tags/producer" class="mention hashtag" rel="nofollow noopener" target="_blank">#producer</a> <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a> and depicts her celebrating their marriage despite the difficulties and differences between the two. Written by Twain and Lange, it is a <a href="https://mastodon.online/tags/piano" class="mention hashtag" rel="nofollow noopener" target="_blank">#piano</a>-driven <a href="https://mastodon.online/tags/countryPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#countryPop</a> ballad incorporating <a href="https://mastodon.online/tags/guitar" class="mention hashtag" rel="nofollow noopener" target="_blank">#guitar</a>, <a href="https://mastodon.online/tags/organ" class="mention hashtag" rel="nofollow noopener" target="_blank">#organ</a>, and <a href="https://mastodon.online/tags/mandolin" class="mention hashtag" rel="nofollow noopener" target="_blank">#mandolin</a>. <a href="https://www.youtube.com/watch?v=QiHMkiPGlv4" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=QiHMkiPGlv4</a>

50+ Music"You're Still the One" is a song recorded by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a> for her third studio album <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The song was inspired by criticism of Twain's relationship with her then-husband and <a href="https://mastodon.online/tags/producer" class="mention hashtag" rel="nofollow noopener" target="_blank">#producer</a> <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a> and depicts her celebrating their marriage despite the difficulties and differences between the two. Written by Twain and Lange, it is a <a href="https://mastodon.online/tags/piano" class="mention hashtag" rel="nofollow noopener" target="_blank">#piano</a>-driven <a href="https://mastodon.online/tags/countryPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#countryPop</a> ballad incorporating <a href="https://mastodon.online/tags/guitar" class="mention hashtag" rel="nofollow noopener" target="_blank">#guitar</a>, <a href="https://mastodon.online/tags/organ" class="mention hashtag" rel="nofollow noopener" target="_blank">#organ</a>, and <a href="https://mastodon.online/tags/mandolin" class="mention hashtag" rel="nofollow noopener" target="_blank">#mandolin</a>. <a href="https://www.youtube.com/watch?v=J6cNvjOn4gM" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=J6cNvjOn4gM</a>

50+ Music"From This Moment On" is a song by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a>. It was released as the fourth single from her third studio album, <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The song was written by Twain, with additional production and songwriting by <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a>. Twain has performed "<a href="https://mastodon.online/tags/FromThisMomentOn" class="mention hashtag" rel="nofollow noopener" target="_blank">#FromThisMomentOn</a>" on every one of her tours. Both a duet with country singer <a href="https://mastodon.online/tags/BryanWhite" class="mention hashtag" rel="nofollow noopener" target="_blank">#BryanWhite</a> as well as a solo version were released. <a href="https://www.youtube.com/watch?v=X-oVi3G3tp8" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=X-oVi3G3tp8</a>

50+ Music"That Don't Impress Me Much" is a song co-written and recorded by Canadian singer <a href="https://mastodon.online/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a>. It was released in December 1998 as the sixth country single, and seventh single overall, from her third studio album, <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). It was third to pop and fourth to international markets. The song was written by <a href="https://mastodon.online/tags/RobertJohnMuttLange" class="mention hashtag" rel="nofollow noopener" target="_blank">#RobertJohnMuttLange</a> and Twain, and was originally released to North American country radio stations in late 1998. <a href="https://www.youtube.com/watch?v=BU-TeNPNJEQ" rel="nofollow noopener" translate="no" target="_blank">https://www.youtube.com/watch?v=BU-TeNPNJEQ</a>

Mastodon MigrationOpen message to journalists and others still on X Twitter. We have a very nice open social network over here, without Nazis, and not owned by any billionaires. You won't have to worry about being silenced for sharing your thoughts. We would love to have you join us in reshaping social media to benefit people instead of corporations. Come on over. At least give Mastodon a fresh look. Help us build a better future.<a href="https://mastodon.online/tags/TwitterMigration" class="mention hashtag" rel="nofollow noopener" target="_blank">#TwitterMigration</a> <a href="https://mastodon.online/tags/OpenSocialWeb" class="mention hashtag" rel="nofollow noopener" target="_blank">#OpenSocialWeb</a> <a href="https://mastodon.online/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> <a href="https://mastodon.online/tags/Mastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#Mastodon</a>

Great_Albums<a href="https://mstdn.social/tags/GreatAlbums1990s" class="mention hashtag" rel="nofollow noopener" target="_blank">#GreatAlbums1990s</a> - <a href="https://mstdn.social/tags/ShaniaTwain" class="mention hashtag" rel="nofollow noopener" target="_blank">#ShaniaTwain</a> – <a href="https://mstdn.social/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a> (1997). The guitars twang and the odd fiddle invades the mix, but this is pop music by any sane definition. Mutt Lange’s glistening production is sweet enough to rot teeth, but there’s no arguing with the craft of songs like “Man! I Feel Like a Woman” and “You’re Still the One.” Plus, as Klosterman notes, for every person who bought Live Through This, 14 bought a copy of Shania – and guess who Taylor Swift prefers. <a href="https://mstdn.social/tags/PopMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#PopMusic</a>, <a href="https://mstdn.social/tags/GreatCountryAlbums" class="mention hashtag" rel="nofollow noopener" target="_blank">#GreatCountryAlbums</a>

SaltyGirlCooking for 2 teenagers…it’ll be gone in 24 hours <a href="https://mas.to/tags/food" class="mention hashtag" rel="nofollow noopener" target="_blank">#food</a> <a href="https://mas.to/tags/ComeOnOver" class="mention hashtag" rel="nofollow noopener" target="_blank">#ComeOnOver</a>

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