Chuck Darwin<p>‘This is a book we need now’: </p><p><a href="https://c.im/tags/Booker" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Booker</span></a> <a href="https://c.im/tags/prize" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>prize</span></a> judge on why Samantha Harvey's Orbital won </p><p>Only in retrospect do I see that the shortlist that emerged from our discussions was dominated by themes of escape and retreat, <br>and that many of the books took place in cloistered settings, <br>both literally <br>– in Charlotte Wood’s masterful ❇️Stone Yard Devotional, the protagonist leaves everything behind for a life of atheistic contemplation at an isolated convent <br>– and metaphorically – in ❇️James, Percival Everett’s miracle of interiority, escape is found in the life of the mind. </p><p>❇️Held by Anne Michaels is an interstitial contemplation of love and grief that at times seems to retreat into its own negative space, <br>as if searching there for a kind of solace. <br>The acerbic narrator of Rachel Kushner’s ❇️Creation Lake defects from the world by degrees with beautifully sardonic effect, <br>while in Yael van der Wouden’s <br>❇️The Safekeep, the central characters’ obsession with one another envelops them in eroticism as well as unstable ideas of home, amid experiences of post-war dispossession.</p><p>In the wake of everything that had happened, it felt at times as though we judges were like the six astronauts in Samantha Harvey’s ❇️Orbital, <br>sealed into the sheltered space these books were building around us. <br>So perhaps it is no surprise that when we emerged from that space to choose our winner, <br>asking ourselves which book we most wanted to press into the hands of as many readers as possible, <br>we voted unanimously in favour of Orbital. </p><p>In offering us the perspective of those astronauts observing the Earth from the International Space Station, <br>it had pulled us as far away as possible from our planet, <br>with the strange and utterly compelling effect of neutralising earthly concerns while at the same time throwing them into the starkest relief.</p><p>Orbital is such a small book, but it seemed as though all of life was in it. <br>And even from such a distant, hermetic vantage point, it felt achingly intimate. </p><p>In my copy, I’ve scribbled notes between the lines of text (a sure sign a book has grabbed me by the throat). <br>One of them reads: “This is a book we need now, but it may also be a book we’ll need forever.” <br>I can think of no higher recommendation</p><p><a href="https://www.theguardian.com/books/2024/nov/12/choosing-booker-winner-samantha-harvey-orbital?CMP=Share_iOSApp_Other" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theguardian.com/books/2024/nov</span><span class="invisible">/12/choosing-booker-winner-samantha-harvey-orbital?CMP=Share_iOSApp_Other</span></a></p>