Works by Puerto Rican NYC (Nuyorican) artist Glendalys Medina, 2020s, who created these abstract works as exercises in gratitude, a practice they started in the early days of the pandemic.
Works by Puerto Rican NYC (Nuyorican) artist Glendalys Medina, 2020s, who created these abstract works as exercises in gratitude, a practice they started in the early days of the pandemic.
Works by German artist Rudolf Schlichter, 1920s, a member of the New Objectivity movement known for his portraits depicting urban life in Weimar Berlin. In the 30s he was denounced as "Degenerate" by the Nazis, and his studio was destroyed by Allied bombs in 1942.
Sculpture by American artist Hugh Hayden, 2010s-20s, whose practice often incorporates salvaged wood into metaphors for the Black American experience, exploring how human interactions with the environment connect to class, race, and identity.
Collages by NYC-based Bahamian artist Tavares Strachen, 2020s, whose "The Encyclopedia of Invisibility" is a research-based project that combines art, science, history, and cultural critique while exploring invisibility, displacement, and loss.
Sculpture by Helen Pashgian, 2000s-20s, who was a member of the Light and Space Movement in the 60s, known for her use of industrial and semi-translucent materials that capture light.
Paintings by English artist Clare Woods, 2020s, whose compositions are based on found and personal photographs.
Works by American artist and occultist Marjorie Cameron Parsons (aka Cameron), 1950s-60s, who was introduced to Aleister Crowley's Thelemic religion through her husband, rocket scientist Jack Parsons. She was affiliated with the LA avant-garde, working w/ Curtis Harrington and Kenneth Anger.
Paintings by Ethiopian-born, Milan-based artist Jem Perucchini, 2020s, whose portraits center Black figures in Renaissance-inspired compositions.
Textile pieces by Canadian artist Zadie Xa, 2010s-20s, whose work "is informed by her experiences within the Korean diaspora, traditional folk tales, and mythology as well as the environmental and cultural context of the Pacific Northwest."
Paintings by American artist Pat Lipsky, 1970s, who was associated with the Color Field and Lyrical Abstraction movements.
Works by Japanese artist Kosen Ohtsubo, 1970s-90s, whose practice pushes the limits of ikebana (the Japanese art of flower arranging).
Paintings by American artist Stephen Towns, 2020s, whose practice elevates Black American figures often left out of mainstream histories, such as miners, service workers, and prisoners.
Ceramic sculpture by Italian artist Luca Staccioli, 2024, whose "Multifunctional queue eliminator kit (prickly pears)" works are inspired by snail-shaped ticket dispensers used at market counters, the shape repeated and turned into organic cacti-like forms.
Paintings by self-taught Brazilian artist Maria Auxiliadora, 1970s.
Sculptural paintings by Florida-based Puerto Rican artist Steph Blondet, 2020s, combining clay and acrylic paint on wood panel.
Illustrations by American reporter, screenwriter, and artist Wallace Smith, 1922, made for the novel Fantazius Mallare by Ben Hecht.
Large-scale paintings by French artist Diane Dal-pra, 2020s.
Works by Japanese photographer Nayao Hatakeyama, 1990s-2000s, whose imagery explores landscape and cityscapes, and especially human intervention upon the land.